http://somamexico.org/
Thursday, 9 October 2014
Tuesday, 9 September 2014
Lodos at Peregrine Program, Chicago
or true facts about stones;
or the race with the tortoise.
Oa4s
Noah Barker
Erin Jane Nelson
Timothy James Kelly
Nico Colón
Theo Michael
Temra Pavlovic
Jack Heard
lodos at PeregrineProgram, Chicago.
http://lodosgallery.info/lodosatperegrine.html
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| Jack Heard, 92101-3Q000SONATA, 1959. Bright light. |
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| Timothy James Kelly, To wash my eyelids in the rain, 2014. Becks Beer, Reading Glasses, Ground. |
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| Noah Barker, (for projector), 2014. Steel. dimensions variable. |
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| Oa4s, As Much, 2014. Mud. |
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| Temra Pavlovic, Black Mountain live stream, 2014. Video and audio. 7:00 min. |
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| Nico Colón, Boxers, 2014. Inkjet and oil on vinyl. 130 cm x 95 cm |
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| Theo Michael, Human Highlight Film, 2011. Digital Print. 130 cm x 90 cm. |
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| Theo Michael, Bankruptcy in HD, 2011. Digital print. 130 cm x 90 cm. |
Friday, 22 August 2014
Saturday, 9 August 2014
Monday, 21 July 2014
Friday, 11 July 2014
Wednesday, 18 June 2014
Sunday, 27 April 2014
Thursday, 24 April 2014
STALACTICA
STALACTICA
Quincaillerie Vander Eycken 66 rue du Viaduc, 1050 Brussels (Ixelles)
Exceptionally open on the occasion of Art Brussels, Thu 24 – Sun 27 April 10 am to 6 pm
Saâdane Afif, Maurizio Anzeri, Aaron Aujla, John Baldessari, Roger Ballen, Davide Balula, Charles Baudelaire, Hilla and Bernd Becher, Tjorg Douglas Beer, Olivia Berckemeyer, Ghyslain Bertholon, Matthias Bitzer, John Bock, Melanie Bonajo, Dineo Seshee Bopape, Marcel Broodhaers, Jonas Burgert, Étienne Chambaud, Pauline Curnier- Jardin, Salvador Dali, Lionel Estève, Bernard Frize, Sara Glaxia, Lori Hersberger, Andreas Golder, Philipp Goldscheyder, Franz Graf, Gregor Hildebrandt, Melissa Ichiuji, Adrien Missika, Ekaterina Juskowski, Dionisis Kavallieratos, Kristof Kintera, Kolkoz, Terence Koh, Michael Kunze, Thomas Lerooy, Vincent Mauger, Marcel Marien, Alexej Meschtschanow, Isa Melsheimer, Klaus Mettig, Theo Michael, G.P. Monroe, Bruce Nauman, Yoko Ono, Jürgen Ots, Kirsten Pieroth, Daniel Richter, Henning Rogge, Brie Ruais, Benjamin Sabatier, Santiago Sierra, Jean Tinguely, Alexandros Tzannis, Guido van der Werve, Paul van Hoeydonck, Jannis Varelas, Costa Vece, Andy Warhol, Yarisal & Kublitz
Preview + Bar Open
Tuesday April 22, 5 pm to 9 pm, (rsvp to mail@galerieutopia.com)
Opening + Bar Open
Wednesday April 23, 5 pm to 9 pm, (rsvp to mail@galerieutopia.com)
Dinner Performance + Party
«Les Nourritures Terrestres » by Samuel Boutruche (Kolkoz), James Henry (chef from the Bones, Paris), Svante Forstrop (independent cook, Paris) - Only by reservation - 65 EUR, Friday April 25, 9.30 pm, (rsvp to info@ramapano.com)
STALACTICA Party (List & doorman)
Friday April 25, midnight until late, (rsvp to info@ramapano.com)
Opening Hours
April 25 until April 27 2014 10 am to 6 pm
Location
Quincaillerie Vander Eycken 66, rue du Viaduc
1050 Ixelles
Brussels
http://ramapano.com
http://galerieutopia.com
In collaboration with and with the kind support of
Atelier uto, Olivia Battard, Hecham Bouliez, Galerie Clearing, Moses Guez, Collection Frédéric de Goldschmidt, Clemens Gunzer, Galerie Rodolphe Janssen, Thanh Lam, Collection Patrick Letovsky, Collection Vincent Matthu, Jean-Philippe Notterman, Galerie Emmanuel Perrotin, Rabo Art Collection, Galerie Almine Rech, Collection Ariel Roger-Paris, Collection Ronald Rozenbaum, Collection Alain Servais, Collection Pascaline Smets, Stevenson Gallery, Galerie Micheline Szwajcer
Quincaillerie Vander Eycken 66 rue du Viaduc, 1050 Brussels (Ixelles)
Exceptionally open on the occasion of Art Brussels, Thu 24 – Sun 27 April 10 am to 6 pm
Saâdane Afif, Maurizio Anzeri, Aaron Aujla, John Baldessari, Roger Ballen, Davide Balula, Charles Baudelaire, Hilla and Bernd Becher, Tjorg Douglas Beer, Olivia Berckemeyer, Ghyslain Bertholon, Matthias Bitzer, John Bock, Melanie Bonajo, Dineo Seshee Bopape, Marcel Broodhaers, Jonas Burgert, Étienne Chambaud, Pauline Curnier- Jardin, Salvador Dali, Lionel Estève, Bernard Frize, Sara Glaxia, Lori Hersberger, Andreas Golder, Philipp Goldscheyder, Franz Graf, Gregor Hildebrandt, Melissa Ichiuji, Adrien Missika, Ekaterina Juskowski, Dionisis Kavallieratos, Kristof Kintera, Kolkoz, Terence Koh, Michael Kunze, Thomas Lerooy, Vincent Mauger, Marcel Marien, Alexej Meschtschanow, Isa Melsheimer, Klaus Mettig, Theo Michael, G.P. Monroe, Bruce Nauman, Yoko Ono, Jürgen Ots, Kirsten Pieroth, Daniel Richter, Henning Rogge, Brie Ruais, Benjamin Sabatier, Santiago Sierra, Jean Tinguely, Alexandros Tzannis, Guido van der Werve, Paul van Hoeydonck, Jannis Varelas, Costa Vece, Andy Warhol, Yarisal & Kublitz
Preview + Bar Open
Tuesday April 22, 5 pm to 9 pm, (rsvp to mail@galerieutopia.com)
Opening + Bar Open
Wednesday April 23, 5 pm to 9 pm, (rsvp to mail@galerieutopia.com)
Dinner Performance + Party
«Les Nourritures Terrestres » by Samuel Boutruche (Kolkoz), James Henry (chef from the Bones, Paris), Svante Forstrop (independent cook, Paris) - Only by reservation - 65 EUR, Friday April 25, 9.30 pm, (rsvp to info@ramapano.com)
STALACTICA Party (List & doorman)
Friday April 25, midnight until late, (rsvp to info@ramapano.com)
Opening Hours
April 25 until April 27 2014 10 am to 6 pm
Location
Quincaillerie Vander Eycken 66, rue du Viaduc
1050 Ixelles
Brussels
http://ramapano.com
http://galerieutopia.com
In collaboration with and with the kind support of
Atelier uto, Olivia Battard, Hecham Bouliez, Galerie Clearing, Moses Guez, Collection Frédéric de Goldschmidt, Clemens Gunzer, Galerie Rodolphe Janssen, Thanh Lam, Collection Patrick Letovsky, Collection Vincent Matthu, Jean-Philippe Notterman, Galerie Emmanuel Perrotin, Rabo Art Collection, Galerie Almine Rech, Collection Ariel Roger-Paris, Collection Ronald Rozenbaum, Collection Alain Servais, Collection Pascaline Smets, Stevenson Gallery, Galerie Micheline Szwajcer
Monday, 31 March 2014
Friday, 7 February 2014
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Monday, 6 January 2014
Friday, 13 September 2013
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Thursday, 5 September 2013
Under The Volcano
Under the Volcano
On the occasion of Hanarart festival | Nara, Japan
curated by Anissa Touati
From September the 2nd to the 15th | everyday from 10 am to 5 pm | in the old post office of Nagara Gose
Wilfrid Almendra, Maria-Thereza Alves, Matthias Bitzer, Kolkoz, Marie Maillard, Theo Michael, Nico- las Milhé, Bruno Persat, Iris Touliatou, Lucille Uhlrich.
Under the Volcano will take place in an abandoned and empty traditional Japanese house where there is still traces of former inhabitants. The artists will interact with the backbone of this deserted place playing with the concept of reality, the way we perceive it, and the various readings we can do of it. They also set up a dialogue with the past, and take an interest in the notions of myth and history.
Maria-Theresa Alves video, Bruce Lee in the Land of Balzac, takes the image of a mountainous landscape and insert on it the sound-track of a scene of a Bruce Lee fight, suggesting a movement through this sound even though it is a still shot. The two Kolkoz will film at the same time some every day life places in Nara (Nara Dreamland, a tea ceremony, the baths), but place them in a tangent world by introducing a distortion by the way they capture them. Matthias Bitzer, with his neon, I used my skin as your skin, introduces a duality in time, between masks and parallel identities and inserts into it a little poetry.
Some of the artists also take over well-known objects and forms, but make a slight shift to transfer them in a tangent world, a kind of mental reality, giving them new forms. Marie Maillard takes a picture of a french cup of tea and will send it by email so that it will be produced in Nara. This sending process deform its image and the spectator will be seeing with this work, Black tea, an imbricated object, almost petrified. The artist here interrogates the point of view that we have of an uncertain world with unsuspected dimensions and contours. With her piece Wall 1309, she singles out an element of the old post-office of Nagara-Gose and stretches it to reveal its essence; with this extension, she implements a virtual image in the real.
Iris Touliatou’s work, Three sins of my Past, plays with forms to lose the spectators, and uses the silk almost as an extension of the house’s architecture. This smooth material participates in evoking this tangent world by showing or hiding the architecture depending on the moment.
Bruno Persat, with Meter, tips his hat to the Japanese culture by creating inside this traditional house sheets of paper where the writing has completely disappear, leaving holes in the paper, reminding us of the house’s deteriorated Shoji.
Wilfrid Almendra’s work, as for it, leads to instantly recognizable shapes but unrelated to their original function. His sculpture, not far from a stained-glass windows, brings out a dimension both decorative and sacred; giving to these discarded materials a new value between fragility and nostalgia of a bygone era.
Then, this Japanese abandoned house is also becoming a pedestal, a sanctuary, enabling the artist to play with historical references and to base their works upon the past to reinvent the future. Lucille Uhlrich’s Tip of the tongue, questions this phenomena, as it is a moment where our spirit is in no place, where the word is as present as it is absent and where the images we picture in our mind are drifting towards an elsewhere. Theo Michael, with The Splendour Of The Heavens uses video, and by mixing incompatible and anachronistic elements, he makes up false chronologies in order to make the spectators lose their temporal guidelines.
At last, Nicolas Milhé, with his piece Locus Pyramidus, wonders on the symbolic of the pyramid: he will project a series of slides showing these structures, playing with their meaning, and their historic and mythological strength. By doing this archiving work, he insists on the fact that the polyhedron is universal. The pyramid has indeed be the first and purest form of the sanctuaries since the dawn of time, and here this form embraces the Japanese house, acting like a shrine for this already mystical place.
On the occasion of Hanarart festival | Nara, Japan
curated by Anissa Touati
From September the 2nd to the 15th | everyday from 10 am to 5 pm | in the old post office of Nagara Gose
Wilfrid Almendra, Maria-Thereza Alves, Matthias Bitzer, Kolkoz, Marie Maillard, Theo Michael, Nico- las Milhé, Bruno Persat, Iris Touliatou, Lucille Uhlrich.
Under the Volcano will take place in an abandoned and empty traditional Japanese house where there is still traces of former inhabitants. The artists will interact with the backbone of this deserted place playing with the concept of reality, the way we perceive it, and the various readings we can do of it. They also set up a dialogue with the past, and take an interest in the notions of myth and history.
Maria-Theresa Alves video, Bruce Lee in the Land of Balzac, takes the image of a mountainous landscape and insert on it the sound-track of a scene of a Bruce Lee fight, suggesting a movement through this sound even though it is a still shot. The two Kolkoz will film at the same time some every day life places in Nara (Nara Dreamland, a tea ceremony, the baths), but place them in a tangent world by introducing a distortion by the way they capture them. Matthias Bitzer, with his neon, I used my skin as your skin, introduces a duality in time, between masks and parallel identities and inserts into it a little poetry.
Some of the artists also take over well-known objects and forms, but make a slight shift to transfer them in a tangent world, a kind of mental reality, giving them new forms. Marie Maillard takes a picture of a french cup of tea and will send it by email so that it will be produced in Nara. This sending process deform its image and the spectator will be seeing with this work, Black tea, an imbricated object, almost petrified. The artist here interrogates the point of view that we have of an uncertain world with unsuspected dimensions and contours. With her piece Wall 1309, she singles out an element of the old post-office of Nagara-Gose and stretches it to reveal its essence; with this extension, she implements a virtual image in the real.
Iris Touliatou’s work, Three sins of my Past, plays with forms to lose the spectators, and uses the silk almost as an extension of the house’s architecture. This smooth material participates in evoking this tangent world by showing or hiding the architecture depending on the moment.
Bruno Persat, with Meter, tips his hat to the Japanese culture by creating inside this traditional house sheets of paper where the writing has completely disappear, leaving holes in the paper, reminding us of the house’s deteriorated Shoji.
Wilfrid Almendra’s work, as for it, leads to instantly recognizable shapes but unrelated to their original function. His sculpture, not far from a stained-glass windows, brings out a dimension both decorative and sacred; giving to these discarded materials a new value between fragility and nostalgia of a bygone era.
Then, this Japanese abandoned house is also becoming a pedestal, a sanctuary, enabling the artist to play with historical references and to base their works upon the past to reinvent the future. Lucille Uhlrich’s Tip of the tongue, questions this phenomena, as it is a moment where our spirit is in no place, where the word is as present as it is absent and where the images we picture in our mind are drifting towards an elsewhere. Theo Michael, with The Splendour Of The Heavens uses video, and by mixing incompatible and anachronistic elements, he makes up false chronologies in order to make the spectators lose their temporal guidelines.
At last, Nicolas Milhé, with his piece Locus Pyramidus, wonders on the symbolic of the pyramid: he will project a series of slides showing these structures, playing with their meaning, and their historic and mythological strength. By doing this archiving work, he insists on the fact that the polyhedron is universal. The pyramid has indeed be the first and purest form of the sanctuaries since the dawn of time, and here this form embraces the Japanese house, acting like a shrine for this already mystical place.
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