Tuesday 23 July 2019

Notes On The White Plastic Chair

Aprdelesp asked me to write something about the white plastic chair, and so I did. It has been co written with Xavier Nuevo Guitart, Fabien Capello, Luciano Conchero and Benny Schaffer.










...show with no name and no press release in a space without a name, Athens, June 2019

floor installation 
table installation



show view

table installation

Give Me Less, 2019, 15x15x20cm, polymer clay and resin

2 Trillion Years, 2019, 14x20x30cm, polymer clay and resin

All Together, 2017, 10x15x25cm, polymer clay and resin

Eelius, 2017, 12x16x28cm, polymer clay and resin

Yeo Foros, 2017, 20x14x29cm, polymer clay and resin
Protogonos Salax, 2018, 25x18cm, graphite and ink on paper

Tironosorus Lex, 2019, 25x18cm, graphite and ink on paper

Early Mammals, 2018, 25x18cm, graphite and ink on paper

Conscious Walnut, 2018, 25x18cm, graphite and ink on paper
floor installation detail

floor installation detail

floor installation detail

Sunday 26 May 2019

Crater Gardening, at Guadalajara 90210, Guadalajara, Mexico





Thoughts about Crater Gardening: 

Central to the open air show Crater Gardening are issues of climate change, pollution and preservation. A variety of materials were used, among them bamboo, stone, palm leaves and glass, with the protagonistic role given to polymer clay, resin and polyurethane foam. The latter materials are emblematic of the Anthropocene era and represent a truly human group of materials since stone exists outside earth and bamboo predates humans for at least 15 million years. Could it be that the North Pacific garbage patch is the most authentic human legacy? Could it be that pollution is our grandest monument?
A human can take cover under a palm leaf shadow, but so can a sculpture. The works Gibbous Mimas Cafe Society and Phobos-Deimos-Ken Ken are in most part protection devices against sun radiation and in lesser part primitive/futuristic sculptures that explore ideas of growths, tumors and the boundaries between organic and inorganic. The work Pollution Monolith is essentially an enormous housing structure for a rather small sculpture at its center. Has human longing for shelter and security intensified the power of the exact elements it is trying to keep at bay? Can humans put order in spaces ravaged from extreme climate conditions? Will humans learn to live with ruins? Do humans already live in post-apocalyptic times?
At dusk, after the sun’s rays are no longer harmful, the works are lit by self contained fluorescent tubes, so as to function as hubs or shelters that bring people together in order to ponder the aforementioned unsettling questions.


Pollution Monolith, 2019, 100x100x140cm

3 Moons And A Chewing Gum, 2019, 100x72x70cm and Pollution Monolith, 2019, 100x100x140cm

3 Moons And A Chewing Gum, 2019, 100x72x70cm and Pollution Monolith, 2019, 100x100x140cm

Gibbous Mimas Cafe Society, 2019, 110x100x100cm

Gibbous Mimas Cafe Society, 2019, 110x100x100cm

Gibbous Mimas Cafe Society, 2019, 110x100x100cm and 3 Moons And A Chewing Gum, 2019, 100x72x70cm

installation view of Abstract Trigonometry, 2019, 140x140x60cm

installation view

installation view of Phobos-Deimos-Ken Ken, 2019, 62x75x57cm

Phobos-Deimos-Ken Ken, 2019, 62x75x57cm

installation view



Curved Arrows at Kunstraum am Schauplatz, Vienna



Stealing Ideas From Recent Graduates, 2013, 130x90cm, digital print, Theo Michael





Dimitris Ioannou

Chrysanthi Koumianaki

Alex Tzannis

Panos Tsagaris

Georgia Sagri

Dimitris Foutris

George Stamatakis


Streaming Realities Steaming @ Grace Athens





Prehistory Repeats Itself at Espositivo Residency, March April 2019, Madrid

Voigt Kampff Scarecrow, 2019, 144x92x48cm

Nightmares For Algorithms, 2019, 180x120x45cm

Selfie Destroyer, 2019, 180x120cm and Asimo Voodoo Tree, 2019, 260x190x180cm

Conscious Walnut PU version, 2018, 50x33cm

Early Mammals Killed The Dinosaurs PU version, 2018, 50x50cm

Protogonos Salax PU version, 2018, 50x35cm

Survival Of The Weakest, 2019, 50x50cm

Tironosorus Lex, 2019, 50x50cm

Zaxxias PU version, 2018, 80x60cm

They Terraformed The Earth PU version, 2018, 88x70cm